Every pair Ghungroo makes lives here.
The range splits by finish. The oxidised silver-tone pieces are deliberately darkened, so recessed filigree stays deep while raised edges catch the light - they suit cotton, chikankari, linen, and anything where you want the jewellery to look handmade rather than shiny. The gold-plated temple jhumka is the other end of the range: a repousse dome with a pearl fringe, built for receptions and heavy zari.
Sizing here is by drop, not by a number on a chart. Every product page carries a photograph of the pair being worn, so you can judge the length against a face before you order. The wide pieces are hollow and pierced rather than solid, which is why a chandbali as broad as a matchbox does not feel like one on the earlobe.
All stones are cut and cabochon glass in kundan-style settings and the pearls are faux. This is imitation jewellery - not precious metal or gemstone - and it is priced that way.
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